Pulpflakes Blog: The Secrets Of The Pulps

For over five decades, the pulp magazines entertained people all over the world. Discover the people behind them; the authors, editors, illustrators and their stories. Look behind the scenes and learn the secrets of storytelling.

Visit the store.

Moved here from https://pulpflakes.blogspot.com

  • Simple, Fast search of the FictionMags Index

    Simple, fast search of the FictionMags Index. It’s finally here. https://pulpflakes.com/fmisearch/ The FictionMags Index (FMI) is the biggest online index of English language fiction published in periodicals. Search the FMI by author or artist name, magazine title or look for a specific issue by date or issue number. Tips and tricks While search tolerates partial……

  • Review: Flash Gordon Strange Adventure Magazine: So bad it’s good

    Most of the time, I review pulps that I like after having read them. Not so with Flash Gordon Strange Adventure Magazine (FGSAM). Reading it was like watching a badly-made B-movie, and since Mystery Science Theatre 3000 showed that an audience exists that appreciates such a thing, here’s my attempt to grab a slice of……

  • Richard McKenna: How to become a professional writer

    The Wikipedia article on Richard McKenna covers his life and fiction reasonably well. But if you’re feeling lazy, I asked ChatGPT to summarize it for you. Richard McKenna (1913–1964) was an American naval officer and author known for his acclaimed debut novel, The Sand Pebbles(1962). Born in Idaho, McKenna served in the U.S. Navy for……

  • Bill Gulick: No horsing around, and other secrets of a writer

    A profile of Bill Gulick that originally appeared in the Spokane, Washington Spokesman-Review dated July 20, 1958. I’ve added a few excerpts from another article in the Tacoma, Washington News-Tribune dated June 26, 1948. Gulick Brings Old West Alive By Jay Kalez IF BILL GULICK, Walla Walla’s prolific novelist and writer of Saturday Evening Post……

  • Negatives, Dragon’s Blood and Acid. How line drawings were reproduced

    I’ve always been interested in all aspects of pulp production including how they reproduced line drawings in the pulps. The same process worked for stylistically very different artists like Hannes Bok, Virgil Finlay, Edd Cartier, Nick Eggenhoffer, Arthur Rodman Bowker, Dorothy Flack  and John R. Flanagan. Read on and find out how they did it.……